大英博物館さんのインスタグラム写真 - (大英博物館Instagram)「Here’s a behind-the-scenes shot from the Museum’s Hirayama Studio. The studio conserves East Asian paintings – here our conservators are working on a pair of screens made by Japanese artist Kawamura Bunpō in around 1800. Swipe to see the full artwork, and more pictures from the conservation treatment. First, the screens were carefully disassembled, and the wooden frames and metal fittings removed. Each painting was then detached from its individual panel so the old backing papers could be removed using humidification. The pigment layer was then consolidated using ‘nikawa’, an animal glue solution, and the first and second layers of ‘kozo’ backing paper were applied. You can find out more about the work that goes on here in our blog post – link in bio.  This conservation has been carried out as part of the Collaborative Project for the Conservation of Japanese Paintings in the British Museum, working with the Association for Conservation of National Treasures of Japan, sponsored by the Sumitomo Foundation. The Hirayama Studio is celebrating 10 years of the project, which allows complex treatments to be completed by experts, and staff and students to be trained thanks to this generous support. #BritishMuseum #conservation #Japan #Japanese #painting #fans #EastAsia #paper #art #JapaneseArt」12月13日 21時26分 - britishmuseum

大英博物館のインスタグラム(britishmuseum) - 12月13日 21時26分


Here’s a behind-the-scenes shot from the Museum’s Hirayama Studio. The studio conserves East Asian paintings – here our conservators are working on a pair of screens made by Japanese artist Kawamura Bunpō in around 1800. Swipe to see the full artwork, and more pictures from the conservation treatment.
First, the screens were carefully disassembled, and the wooden frames and metal fittings removed. Each painting was then detached from its individual panel so the old backing papers could be removed using humidification. The pigment layer was then consolidated using ‘nikawa’, an animal glue solution, and the first and second layers of ‘kozo’ backing paper were applied. You can find out more about the work that goes on here in our blog post – link in bio.
This conservation has been carried out as part of the Collaborative Project for the Conservation of Japanese Paintings in the British Museum, working with the Association for Conservation of National Treasures of Japan, sponsored by the Sumitomo Foundation. The Hirayama Studio is celebrating 10 years of the project, which allows complex treatments to be completed by experts, and staff and students to be trained thanks to this generous support. #BritishMuseum #conservation #Japan #Japanese #painting #fans #EastAsia #paper #art #JapaneseArt


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