テート・ギャラリーのインスタグラム(tate) - 3月18日 20時18分


Ahead of Conceptual Art in Britain 1964–1979 at Tate Britain (opens 12 April), we'll be looking at key works featured in the show.

Keith Arnatt was a key conceptual artist. His work 'Art as an Act of Retraction' (1971) explores creation as an act of retraction, or taking something away. The work consists of 11 black and white photographs of the artist himself about to eat a different scrap of paper, each scrap with a different word printed on it. A twelfth panel lists the printed words: ‘eleven portraits of the artist about to eat his own words’. Conceptual art was born out of a rejection of everything art had become, from the conventional use of plinths in sculpture, to the rising price tags of modern art works. In the 1960s, artists from Europe, South America and North America began to reconsider what art could be and chose to value the ideas behind the works over sophisticated materials and skilled practises.
#ConceptualArt #BritishArt #Arnatt #TateBritain


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2016/3/18

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